Saturday, August 18, 2007

"I've never been so glad that I was born dumb"

- Harima Kenji. What were you guys thinking?



School Rumble , ep 11

Well, I'm not happy I'm not the brightest tool in the shed, but I am glad that I went to Chinese school, for I...............

have found.......................

the meaning of life this!

Specifically, it's the Character mini album that was released with the School Rumble franchise. While it's called a album, specifically its more like a drama CD, with nothing but the voices of the characters of School Rumble. Reminds me of the old days of 用耳朵看电影。 (I swear, the program was called that!)

Now normally, we non-Japanese language speakers and listeners miss out on such good stuff. Since its all in 日本语. But someone on the other side of the fence (aka Chinese fansubbing groups) ACTUALLY TRANSLATED IT!




It's a bit unnerving, having Yakumo staring at me like that for the whole 30 mins of the audio drama. However, since it's in 简体, and the conversation is by and large simple, I can understand 95% of it. It's essentially a sideline of the School Rumble story, much like the B-flat(?) chapters in the manga. They don't really built into the story, but it's interesting to see hear what may, or might have happened in School Rumble.

To watch listen to it through, a good grasp of School Rumble is much much needed. It's all audio, and to be honest, without visual aids, I couldn't tell the voice difference between Eri, Mikoto and Akira most of the time. And without paying close attention, I mixed up Harima and Hanai at times.

This is just no 2: Tsukamoto Yakumo. Hearing Hanai being beaten up by Mikoto is almost as fun seeing it.

Oh, and I maintain the English trailer took a leaf from the Animax Hong Kong one.

Friday, August 17, 2007

MS Word recognises Lacus as a word


But not "kelly". Interesting.

Context later.

A review of a review

I usually don't do reviews on anything, much less a review of a review. However, this review of Kanon (2006) made me have to say this.

In it, the reviewer, Stig Høgset (wonder if he has a cousin?) remarks;

Not only that, but the viewers also has to deal with two of the characters, namely one Ayu and one Makoto, expressing their discomfort by utilizing onomatopoeticon that will throw viewers into diabetic shocks. "Ughuuu.", Ayu mumbles each time Yuuichi chastises her. "Auuuu", Makoto whines when her prank plans fail, or when she too gets chastized. Couple that with the eyes you can see, and you got some hurdles to overcome.
Telling me that I have to overcome the moé'ness in Kanon is like telling me to get over the fact my Kancil can't 0 to 60 in 2.8 seconds. I expect that. As a matter of fact, if a Kancil does 0 to 60 in 2.8 seconds, I'd be VERY VERY worried for the driver inside. The suspension can't handle that stress. But that's a bit off-topic.

People watch Kanon for the moéness. Sure, it's not the most wildly interesting show on earth, but if moéness wasn't my aim, I wouldn't watch it!

And for diabetic shocks? I don't need Kanon! I have Ekka!

A study on (anime) harems

Quote: “How long does it take Ikuro from Airantou to realize that he’d probably die from lack of blood before anything else?”

Images of a harem usually conjure up images of females outnumbering the male characters by a at least 10:1 ratio, with polygamy being the order of that day. However, let’s be rational(?) and logical(?) for a second. A harem usually means having one lone guy (aka with the XY chromosome) surrounded by at least n+2 girls (aka, those with the XX chromosome and usually with a hormone mix so complex it makes Google’s mapreduce algorithm look like my first SQL query). The setting has traditionally been varied, ranging from schools to houses to bathhouses to islands, and everything else in between. For the purposes of this (pseudo) study, we will focus on the school environment.

Now the guy is the lucky one, having more choices of girls than the number of soup brands at Woolies. He usually has one girl set in mine usually, which is typically the childhood sweetheart/friend, the one who found him, the one who fell in love with him at first sight, or just pain lucky enough to lead a group which conveniently is mostly made out of girls. And with a few rare exceptions, they don’t mind him!!!!!!!!!!!!! Never mind if he’s loud, rude, brash incompetent or just plain stupid. Or anemic. The girls will find some reason to fall in love with him. Usually because he is lucky enough to look good, look like one of the sempai’s the girl once had, or just plain lucky enough that fate somehow blessed him to be able to choose between 2 V-E-R-Y hot chicks, never mind if one of them can’t cook better than me.

Now a harem, having a large sample size, must have a diversity of characters. Well, if they were all stoic, it wouldn’t be called a harem would it? Besides, in this day of multi-cultureism, diversity is the order of the day. So inevitably, there’s always the childhood sweetheart who somehow has managed to like him since………..usually, 7. Then there’s genetic-makeup-is-XXY-girl whose sole aim in life is to kill the male lead. Apparently, that’s her definition of “I’m interested in you”. We’re just lucky she never does any programming. (Defining parameters are a nightmare) Then there’s the imouto-san who apparently must be no older than 12, looks like a loli, totally moé and with a cuteness and sweetness that would make me a type 1 diabetic. On the other side, we present obligatory the sister-of-the-sister, usually either stabbing her other for the love of the male lead or just for the apparent kick of it (Reference: Ayane v. Machi, 2007). Harems were never made to make sense.

No harem can exist on this earth without a studious, reading type. She usually has round glasses with lenses which seem to be modeled with a calculus equation of x^2 + y^2 = y^2, freckles, and for some reason her glasses are tinted so heavily, that it’d violate all JPJ rules, and then some. In other words, her lenses reflect all sunlight, and all you see of her eyes are glaring whiteness. Yet, despite all this, she doesn’t look all that bad, despite all the reading and philosophical mumblings of “how weak a woman is in front of a man”. And get this: only the male lead is ever allowed to see her without glasses!

Other characters include the athletic type, who somehow manages to look good despite all the intense training, sweat, hard work and workout. Come to think about it, maybe the reason she looks good is from all that exercise. People have been known to fall in love with her just at the sight of her running. Despite all the hard workout, she is actually very delicate (Karen, 2005) and her hair has me banging on the table.

A wise man once said Music is life, and nowhere is this more true in a harem, where (no-so) occasionally you do get a musically inclined girl entertaining and bringing life into the harem. And how can I forget the obligatory blonde character, who seems to be hit on by every guy in a 1 KM radius.

Moving on, we have the mental girl who, thanks to mutation somehow in her hormone glands which causes the production of a hormone concentration so thick, concentrated and toxic, her only coherent(?) thought is “I want him in me! M-E!” And to top things off, a harem must have a outsider. A foreigner. Usually a Chinese Ah Lian. Who thinks and dresses like its still 1930’s Shanghai.

Now with the harem properly described and populated, they have to do something in real life. Kinda. Somebody has to do the shopping. The laundry. The housekeeping. And of course, in this age of compulsory education, they must go to school. Which as any student can testify, means waking up early. Which means having to eat breakfast early. But no matter sun, rain, hail, storm, wind, alien-invasion, the childhood sweetheart/inouto-san/submissive one will wake up without fail to make breakfast, so when the male lead character wakes up (or is awaken by her), all he has to do is to eat, pick up bag and walk to school with her, dodging any would-be ninja’s along the way. Or people like me who can’t stand the fact that he’s in a harem and want to kill him. Despite the peril of threats on the road while walking to school, the probability of him arriving at school unharmed is 1.

The next most important thing of the day is food. Specifically, lunch break. Unlike me, the main male lead doesn’t need to prepare lunch the previous day. Nor does he have to put up with last nights leftovers. (okay…maybe a little..). Childhood sweetheart/imouto-san/submissive one would have made a nice fresh lunch for him that morning, all nicely packed. All he needs to do is unwrap it. Heck, sometimes he doesn’t even need to do such menial tasks. Sweetheart does it for him, both of them dying from heart attacks when their hands meet. How sweet.

Despite this however, other members of the (harem) class will present to male lead a bento box. And another. And another. You can classify the girls into their cooking categories: the good chef, the “ouch-its-for-sempai”, the “I’ll just cook something”, the minimalist, the convi and the indecisive one.

The good chef is self explanatory. Her cooking skills are comparable, or even beyond those of childhood sweetheart. She usually lives in a family run restaurant, through studies have found that this is not a mandatory prerequisite. Usually her portions are enough to feed the whole of Africa and still leave some for me. Other guys in the class will kill just to get a taste of her cooking, and would shed tears of joy if they ever did. One interviewee reportedly said “if I get a taste of her cooking, I’d die happy on the spot”. However, main male lead just eats it like any other dish at a food court, much to the chagrin of the rest of the class male population.

The “ouch-its-for-sempai” usually has her first kitchen experience when she realizes her face flushes up and her heart goes all doki-doki for “sempai”. Cut, bruises and scars on her hand when presenting the lunch box to the main character is not a must, it is a necessity. So “sempai” can hold her hand (how romantic) and ask ‘what happened?”, which for 99% of the world would be a rhetorical question. Her cooking skills are worst than mine, but her passion, if there was ever a meter for measuring it, would break any measurement device. However, in the interest of health and safety, I must warn of “ouch-its-for-sempai”s cooking. One has a 0.6 probability of getting food poisoning (95% interval confidence)

The “I’ll-cook-something” girl can be seen running between home and the local bookshop, and never getting tired at all, simply because she wants to cook something that is only served in Paris and costs $80 a spoonful. With luck, perseverance and hard work, the final outcome can be as good as Childhood sweetheart/imouto-san/submissive one and good chef. However, statistically speaking, there is a 0.3 probability that the final dish doesn’t come out as expected (99% confidence interval). But its still perfectly edible, as opposed to “ouch-its-for-sempai”. The love of “I’ll-cook-something” that she puts into her cooking is purer than reverse osmosis and distilled water combined. Memo to girl: “If he rejects you, I’m always here!!!!!!!”

The minimalist prepares something simple, usually ongiri, under the theory “making this with all my heart, my love will get to him!” Surprisingly, the ongiri is quite edible and quite nice. Just add salt. And some seaweed. Whether it scores any points with him is another thing,.,.,.,.,.,……..and debatable.

The convi usually grabs something from the vending machine/convenience store en route to school as lunch. Saves time, considering that the convi usually cant wake up early and would sleep through WW3 (hold on, that’s me …………….). The prepackaged food in plastic is usually her lunch, but seeing everyone else giving her beloved food, it’s the only thing she can do and offers her lunch. The final outcome of this girl-type has never been independently verified.

And finally, we have the indecisive one, who seemingly always can’t decide between potato stew and curry, apparently, “sempai” only eats these two things. However, there is substantial evidence to indicate this problem of indecisiveness is also the guys fault. (Reference: tenma v. ooji, (2005))

Food only gets one so far. The girls of the harem are not exempted. Other ways of getting close to the main character include: clapping dusters, cleaning classrooms, sport days, shopping, visiting his house, being (conveniently) trapped in a life with him, or even simply cooking for him in his kitchen. However, there are outside the scope of this study and will not be pursued further.

It has been observed should the main character pass out from lack of blood, drowning, a blow to the head, or just simply for no logical medical reason, CPR is not necessary. Sure, the girls all jostle to revive him (how nice. When I pass out all people will do is call a boring ambulance), but the subsequent noise, dust, and vibrations stirred up by the girls fighting is enough to wake the dead. Little wonder then he wakes up. NHS take note: waiting lists could be reduced by 20% if this is implemented in hospitals. (Lim, 2007). And if you think the characters in Rurouni Kenshin has 10 liters of blood in them, the male lead of a harem needs AT LEAST 90 liters of blood to be even able to have a chance of remotely surviving.

Finally, at the end of the day, after all that hard and laborious work, it is time to wash away the grime and dirt with a nice bath. However, individual showers are either banned or do not exist in a harem. Full communal shower settings with a hot spring (even if it’s in the middle of the city) are the order of the day. They’re just lucky they’re not in Brisbane with Level 5 water restrictions and Target 140.

In this day and age of gender equality, it is politically incorrect and plain unfair that the girls have to crowd around together in a limited, confined space, while the (lucky) guy gets a whole pond to himself. To alleviate the overcrowding, one girl would usually go over to the “other” side. And another. And another. Before long, there whole harem would have recreated what they were trying ton solve. Only this time, there is a guy in the middle of all this.

What happens next has never been accurately documented, as the steam and humidity makes it hard to see what’s happening. However, it is safe to say that the final outcome isn’t good. Especially when you throw in the “I-have-to-kill-him” girl into the mix. And jealousy over sweetheart/inouto-san/submissive one tends to boil over along with tonights dinner.

After all that, one would guess a good nights sleep is all that is left. However, when the pang of jealousy reaches dy/dx = 0, war breaks out with an intensity that makes all the wars of history, from Mesopotamia to modern day, look like a pillow fight. However, the occurrence of war can be modeled by f(x) = x + b(x - x0) + c(x - x0)2 which sees the occurrence of war happening on average, once a week.

Conclusion

Despite the perils of a harem however, a survey done by the Ewww foundation found 90% of anti-social geeks would “very much like” to be in a harem. 90% replied that the benefits “outweigh the pitfalls”. However, pessimism was the order of the day, with only 1.2% believing that being in a harem was possible for them. Shockingly, only 0.1% of those polled knew the origin of the word harem.

The margin of error was 2.1 percentage points, with an undefined number of people randomly polled.

Biggest Dreamer in Cantonese

O-M-F-G.



I'm speechless.

Tuesday, August 14, 2007

Of economics and anime

It's not often you see them both, but they do go hand in hand, especially with the recent light of events.

Looking at the recent debacle of companies suing individuals for downloading anime, this debacle has reached ridiculous proportions. I have little, if any, sympathy for Singaporeans. Don’t get me wrong. I’m no Singapore bashing ultra UMNO. I go to Singapore so often, its almost my second home. LKY’s two books are my bible. I wish RapidKL would take a leaf from the MRT system. And how on earth did we end up with 4 rail systems that don’t connect with each other?! And read “from third world to first”; if there was ever a book on how to make a country, that’d be it.

But specifically, I have no sympathy for the anime fanboys of Singapore. They have to pay the price of being a first world nation in a region littered with failed third world countries. Look at the anime blogopshere. Discounting the usual American's, Brits (in Japan), the rest are all monopolised by Singaporeans. Sure, we Malaysians have Kurogane, but his "`tis the season for loliyuri" slogans hardly inspires confidence. And the rest cant type proper English to save their lives.

Don’t mix me up with the rest of Malaysia; all I am, I was just born there. I’m neither here nor there.

One thing China, Vietnam, the soviet union et al have learnt is that Ideology, passion and blind faith only takes a person so far. Sure, you can wax lyrical about how it's a passion, its a underground movement, but at the end of the day, we humans are bound to the simple rules of economics. And I'm not even talking about career paths either. At the end of the day, someone has to make money. Now when that someone is called Odex, has a lot of dough, and the ISP's are all government controlled, you can see clearly the results.

The fact of the matter is, anime is a niche, minority thing, even in the motherland (Japan). Some estimates put the anime industry worth $23 billion a year, yet there is no one big force. No Disney/Pixar equivalent. It's all made up by a loose cottage industry, with people working in independent studios. Its not a bad thing. As a matter of fact, it is probably in this environment creativity flows better. But as I said, dreams are one thing; practicality is another.

The anime scene in SEA has changed rapidly in the last 5 years. I’m old enough to remember running around with VHS tapes. I can remember the days where we had to split shows into 8 parts and arrange a time to send them via DCC. I can remember desperately bypassing the download limits Streamload had. There was a time where XDCC bots were as rare as hens teeth. As I had almost no one to talk to, I lived in my own world. There was no one to talk to. No one with the same interest.

Three things changed all that: affordable broadband, the emergence of p2p file-sharing networks, and the DIVX (later XVID) compression algorithm. Suddenly, from a time where it took 3,4,5 years for a anime to trickle down to the rest of the world, people could see anime series almost in real time, in tune with broadcast in Japan. From television stations influencing what (few) anime we watched, it is the masses that influence what television stations broadcast. And this is a trend not limited to the world of anime.

As far as I know, the anime scene has changed beyond what I knew it as. I would like to put the blame at Haruhiism, and I will. It all started when Bittorrent became the de-facto distribution medium for anime fansubs, compared to the ye old days of queuing up in a Fserve. Back in 2003, I predicted a split between the old and the new guards. And it has happened. On one end you get fanboys hopping around, shaming themselves in public, becoming the de facto voice of the anime sphere, simply because of their numbers, their youth, their agility and their willingness to embrace new technology.

I openly admit, I’m part of the old guard. The only way you’ll ever see me watch SuzuHaru is if you pay for my school fees for the next five years of my course. I don’t believe in running, chasing with the newest and latest anime. As a matter of fact, theres a old joke running within my inner circle: what I don’t watch, the rest of the world does, and vice versa. I focus on QUALTIY, NOT QUANTITY. I would rather have one, 400 by 300 pixel picture of Jeri (Juri) than have my room plastered with life sized pictures of Kagamin. I would rather watch a VHS copy of School Rumble than a 1080i, HDMI 6.1 surround sound of Hayate no Gotoku. Seriously.

Of course, this puts me on a collision course with the mainstream. But on the flip side, and keep in mind I do stats, the probability of me getting sued by ANYONE with regards to my anime interest is 0.00000000000000000000 (20 d.p.).

How I see it then, is the anime society in SEA has two choices from here: either go mainstream, or go underground. Both have their shortcomings and flaws. Go mainstream, mass production, mass acceptance, and you will push the price down. (Case in point: when Celcom pushed their first prepaid kit in 1997, the starter pack was Rm100; tell me how far we have gone.). On the surface, mass production with cheap costs will be the saviour. Just look at China: as much as I hate MC, the fact is, their cheap goods (even if they’re shoddy and dangerous) have lifted the living standards of people around the world. But commercialism will loose the tight knit (but loose) community.

Go underground, and you will end up with what I call the Taiwan situation: neither legitimate and recognised officially, but essentially a de-facto movement for all it’s worth. And it was like this before the masses came in.

Its a choice, that the mainstream of a minority called anime fans have to make and face. For me, I’m a minority in a minority. The only thing is I'm amazed Odex hasn't (Wang Hongjun eh? Sounds like a MC...) licensed SuzuHaru.....now that’s one lawsuit I'll like to read in my law studies!

As for me, I’m above all this. It makes little difference to me what happens in Singapore. I respect he sovereignty of the State of Singapore, and I hope that people will respect our sovereignty. Peace and diplomacy is a two way street.

Edit: I just have to take a stab at this (with spelling mistakes fixed):

-for all new anime titles to be distributed max 1 week after broadcast in Japan
A bit too much don’t you think? Here in my uni we get papers from the world, but it the paper copy of the NST takes about 2 weeks to find it’s way around here, and the nihon keizai shimbun is usually 1 week old. And even in the motherland, the DVD’s take about 3-5 months to come out: who’s going to accommodate for us “foreigners”?

-for there to have solid variety-including those lesser heard of ones, like Lain, Ergo Proxy, Planetes etc, not just Naruto and Bleach all over until I want to puke.
Read my point above. There is a parallel in the anime world: those who are in the public mainstream (Naruto, Klorox, FF), those who are in the anime mainstream (Lucky Star, SuzuHaru), and those who are loyal to the end (Digimon Tamers FTW!), ie me.


-for all DVDs to be subbed with editor's/translator's notes (just in case some noob doesn't understand what 'oneechan' means)[same applies to manga]
this comment itself is worth an entire topic. Maybe I should drop out and devote my life to blogging………if it wasn’t for the fact there is no future in my rants and raves.

-for all DVDs to have karaoke sequences and translations for OPs and EDs and
INS songs.
Until you hear me karaoke. I’ve broken a few mirrors.


-for these 'non-illegal' anime DVDs to be sold at not more than RM10 per medium-length[~26ep] anime.(that's already stretching it.)
And that’s a serious understatement


-for these 'official' DVDs and manga to be as easily available as The Star in newstands.
I presume in West
Malaysia then? The Star is kinda sold out by 11am in Kuching, and that’s a good day. Don’t get me started on Bintulu: you have to BOOK a copy the day before. OH FINE! FORGET ABOUT US EASTERN COUSINS! You're just lucky we're Sarawakians! If this was the Balklands we'd be declaring independence NOW!

-for
Malaysia to start translating manga in English and stop using toilet-quality paper. I'd rather read it in pixels. (Viva la ChuangYi!!)
chuang yi is a
Singapore success story, and proof of a Malaysian failure.


-for the above manga to be sold at affordable prices. (Original english manga at RM8.50!?!?!? Shit of course I would buy that. Bootlegs are alreadyRM8, dear.)
Economics dear. Supply and demand. Mass production versus exclusivity.

Saturday, August 11, 2007

Don't you love irony?

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The irony. Watch Suzuka. Honestly.